Pushing The Boundaries: Robbie J. Atkinson Talks About Filmmaking and 'Kalimba'
Interview
Kalimba started off as an idea that my late father and I tossed around during a walk on the beach one year. He joked about how few Hollywood films explored spirituality, folklore and horror stories from other cultures–namely Jamaican culture. Eventually, he and I co-wrote a draft of Kalimba and bounced ideas off of one another until he passed. After that, I revisited the script and refined it until I was content–taking a segment of the feature script and using it as the basis of the proof-of-concept that is Kalimba today.
An American In Europe
Directed by Johnny Vonneumann
Review
The director has chosen a very difficult way to make his documentary: a risky, challenging, and unpredictable one. The path could be the greatest threat to his film, which is to mix different images, dissolve them, double-expose different film footages, and merge contrasting images. This can easily break the audience’s concentration and prevent the coherence of the context of the work. It makes it impossible for us to focus on a specific subject at the same time. However, the interesting thing is that Johnny Vonneumann turns this way into the strength of his film and makes it something that easily meets the basic needs of the film in establishing the desired themes.
SAG MIR,
WIE LANG
Hinter-Land
TAIAO (POIPOI)
Dancing Bears
The Book in the Field
Pushing The Boundaries: Robbie J. Atkinson Talks About Filmmaking and 'Kalimba'
A Review: LIFE ON MARS | Are We for Real?
A Tiny Superstar Filmmaker You Don't Want to Miss: Ella Bork
Radu ZERO's Path to Success in Filmmaking
Bianca Palmieri Balduini Talks About 'My little shadow'
Trapped: An Interview with Mohamed Maged
Touching Moon: An Interview with Sophia Liu
Zu den Sternen: An Interview with
An Interview with Madina Ismailova
Artistic, Creative and Subtle
Journey into the Inner Labyrinths
Long Journey of Love - “Love in Vain” Review
Enter the Room, Directed by Harry Waldman
Never Fade Away, Directed by Donna Weng Friedman
Wandering in Town - “The Day My Cat Saved My Life” Review
Reflection of Reality in World of Imagination - “Sinking into The Afterglow” Review
Omnipotent Resolution
Employees are waiting in hell - "What do you do there?" Review
Traveling Far Away - "Our Triumphant Holy Day" Review
From 'INSIDE' to 'FOCUS': A Chat with Director Charlie Vjestica
SAG MIR, WIE LANG
Record the Interesting Moments: An Interview with Gilbert Brüning
Making A Good Documentary: A Chat with Luca Centoni
Omnipotent Resolution Music Video
Brandon Ladson Talks About Independent Filmmaking and Storytelling
'Pastiche' Directed by Shivaan Makker
'Stare Me In The Eye' Written by Athina Chatzigiannaki
'Love in Italy' Written by Sena Tunali
Everything You Need to Know About 'The Dark, Debra'
'Sphinx' Directed by Alec Palumbo
Meet the Artist: Rick Meghiddo
'Counterpart' Directed by Ethan Grover
Dina Yanni Talks About 'The Dark, Debra'
An Interview with Greg Di Roma, Director of 'Our Triumphant Holy Day'
Review: Americans in Japan
The Day My Cat Saved My Life - Kagan Goh, Susanna Uchatius
Pastiche - Directed by Shivaan Makker
A Fire in Africa - Directed by Gerhard Uys
Our Triumphant Holy Day - Directed by Greg Di Roma
An Interview with Carter Bowden, Director of 'Snowflake'
Dustin Nowlin Talks About His Short Film 'Incidental'
M le Maudit "Khedira": An Interview with David Fitt
An Interview with Dustin Nowlin, the Director of "Incidental"
Harry Collins Talks About "Homebird"
An Interview with Nick Waters, Director of 'When We Dance'